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M.A. CHARPENTIER - Miserere and other sacred works - Ensemble L' Apotheose - Ensemble Vocale Ricercare

M.A. CHARPENTIER - Miserere and other sacred works - Ensemble L' Apotheose - Ensemble Vocale Ricercare
ID: STR37048
CDs: 1
Type: CD

18.00 eur Temporarily out of stock

ALBERTO - CAPRIOLI - ARIA - BIZANTINA

ALBERTO - CAPRIOLI - ARIA - BIZANTINA
ID: STR37046
CDs: 1
Type: CD

CAPRIOLI Alberto - (1956) - Bologna - Italia
Interpreti:
EX NOVO ENSEMBLE (ensemble)

Vor dem singenden odem (1990) all memoria di Nono
Andante adagio (2013) per violino solo
Drei klavierstucke fur boguslaw (2009)
Piece libre pour gilles deleuze (2009)
Senza tempo (2007)
Aria bizantina (2007)
Fuggente (2010 11) a Giovanni Morelli
18.00 eur Temporarily out of stock

Dolcissimo veleno

Dolcissimo veleno
ID: STR37010
CDs: 1
Type: CD
Subcollection: Opera

Dolcissimo veleno (Opera immaginaria da madrigali)
LA DOLCE MANIERA (ensemble)
18.00 eur Temporarily out of stock

F.Kuhlau - Rondeau d'une folie - Stefano Parrino, flute

F.Kuhlau - Rondeau d'une folie - Stefano Parrino, flute
ID: STR37007
CDs: 1
Type: CD
Subcollection: Flute

Fantasie op 38 (Fantasia 1)
Fantasie op 38 (Fantasia 2)
Fantasie op 38 (Fantasia 3)
Femmes voulez vous eprouver
Laset frieden uns stiften
Capriccio
Mich fliehen alle freuden
Es kann schon nicht alles so bleiben
RondoIn des waldes dustern grunden
Capriccio per flauto
Was ist der mensch
On ne saurait trop embellir (Rondeau d'une folie)
Allegro assai
18.00 eur Temporarily out of stock

THINKING BACH - Adriano Fazio, cello

THINKING BACH - Adriano Fazio, cello
ID: STR37006
CDs: 1
Type: CD

Johann Sebastian Bach, Domenico Gabrielli, Giovanni Battista Vitali, Francesco Paolo Supriano, Adriano Fazio, Giuseppe Clemente Dall'Abaco

1. Suite for cello No. 1, in G Major, BWV 1007: I. Allemande
2. Suite for cello No. 1, in G Major, BWV 1007: II. Courante
3. Toccata for cello No. 10
4. Suite for cello No. 1, in G Major, BWV 1007: III. Sarabande
5. Ricercare No. 7 for flute
6. Suite for cello No. 3, in C Major, BWV 1009: I. Prelude
7. Suite for cello No. 3, in C Major, BWV 1009: II. Bourrée I, Bourrée II
8. Suite for cello No. 3, in C Major, BWV 1009: III. Gigue
9. Toccata Ruggiero, for cello
10. Suite for cello No. 2, in D Minor, BWV 1008: I. Prelude
11. Suite for cello No. 2, in D Minor, BWV 1008: II. Sarabande
12. Capriccio No. 1, for cello
13. Suite for cello No. 1, in G Major, BWV 1007: IV. Prelude
18.00 eur Temporarily out of stock

John Cage - Imaginary Landscapes

John Cage - Imaginary Landscapes
ID: STR33918
CDs: 1
Type: CD
Subcollection: Ensemble

Ensemble Prometeo, Marco Angius (conductor)

Track Listing
1. Imaginary Landscape No. 1, per 4 esecutori
2. Imaginary Landscape No. 3, per 6 percussionisti
3. Imaginary Landscape No. 5, per 42 registrazioni a scelta
4. Imaginary Landscape No. 2 (March No. 1), per quintetto di percussioni
5. Imaginary Landscape No. 4 (March No. 2), per 12 radio
6. Sixteen Dances, per flauto, tromba, 4 percussionisti, pianoforte, violino e violoncello: 1 - 4
7. Sixteen Dances, per flauto, tromba, 4 percussionisti, pianoforte, violino e violoncello: 5 - 8
8. Sixteen Dances, per flauto, tromba, 4 percussionisti, pianoforte, violino e violoncello: 9 - 12
9. Sixteen Dances, per flauto, tromba, 4 percussionisti, pianoforte, violino e violoncello: 13 - 16
18.00 eur Temporarily out of stock

The quick fox and the lazy dog - F. Novara - Fabrica musica special edition

The quick fox and the lazy dog - F. Novara - Fabrica musica special edition
ID: STR70014
CDs: 1
Type: CD
Collection: Alternative Rock

All music written, performed and mixed by Francesco Novara.

The quick fox and the lazy dog is compilation of rapsodia dreams about fonts, conceived as part of the Colors Notebook volumes, presented at the Typo Berlin 2008.
Colors Notebook is a project by Colors, one of the publishing activies of Fabrica, Benetton‘s communication research center.
18.00 eur Buy

Mohssen Namjoo: Oy - Fabrica

Mohssen Namjoo: Oy - Fabrica
ID: STR70015
CDs: 1
Type: CD
Collection: Alternative Rock

Mohsen Namjoo: lead vocals, setar, baghlama
Golshifteh Farahani: backing vocals, piano
Gerardo Balestrieri: backing vocals, harmonica, keyboard
Christopher Knowles: bass, electric guitar
Geremia Vinattieri: drums, percussion
Said Chavoshbaran: tombak, daf


Mohsen Namjoo is the leader of Persian rock, called “Iran’s Bob Dylan” by the New York Times. On this CD, Namjoo treads the dangerous thin line on the fragile high wire of an ancient culture and demonstrates the mad courage to carve new paths using the spiritual and artistic tools of his predecessors. Namjoo gives the traditional Persian style a more modern rendition that attracts younger generations while simultaneously blending his music with western traditions of rock and blues.
18.00 eur Buy

J.S. BACH - Goldberg Variations - BWV 988

J.S. BACH - Goldberg Variations - BWV 988
ID: STR37001
CDs: 1
Type: CD
Subcollection: Piano

Andrea Padova, piano
Johann Sebastian BACH (1685-1750)
Goldberg Variations BWV 988

Andrea Padova’s experience is closely linked to Johann Sebastian Bach’s music: he won the “J.S. Bach International Piano Competition” (1995) and from that moment began recording several CDs devoted to J.S.
Bach’s keyboard works.
His performance of J.S. Bach’s Goldberg Variations prompted “The Washington Post” to write “The pianist Andrea Padova turns sound into poetry. His virtuosity, sensitively managed, resounds through every measure”.
Here follows a note about his interpretation of the Goldberg Variations: “In the execution of this CD, the variations are not only, as is the practice, divided into groups to form small unities in the great unity, but in all the cases in which Bach left an esoteric indication (in the writer’s opinion, however clearly readable: and here the motto Quaerendo Invenietis - “seek and you shall find” - of one of the canons of The Musical Offering - is valid), the interpreter has chosen not simply to place one variation after another but to link them so that the end of one flows directly into the beginning of the next, creating an intermediate form between Variations and Passacaglia (or Chaconne), which incidentally is the one in which Bach left other admirable masterpieces. A choice that some famous interpreters, both harpsichordists and pianists, among whom obviously Gould, have adopted sporadically and only for one or two pairs of variations: here, on the contrary, it is more the rule than the exception, as is evident when we listen to the last bar of the first variation which flows into the second and in the same way for many of the following variations. It seems useful to add that obviously
this choice would not be practicable if it had not in some way been made possible, i.e.planned and suggested by Bach himself.”
18.00 eur Temporarily out of stock

AA.VV. - Prélude à l’après-midi

AA.VV. - Prélude à l’après-midi
ID: STR33997
CDs: 1
Type: CD

Mario Caroli flute
Keiko Nakayama piano
Claude DEBUSSY (1862-1918) Prélude à l'après-midi d'un faune
Georges HüE (1858-1948) Fantaisie
Gabriel FAURé (1845-1924) Fantaisie op.79
Philippe GAUBERT (1879-1941) Madrigal
George ENESCU (1881-1955) Cantabile et Presto
Paul TAFFANEL (1844-1908) Andante pastoral et Scherzettino
André CAPLET (1878-1925) Rêverie et Petite Valse
Albert PéRILHOU (1846-1936) Ballade
Philippe GAUBERT (1879-1941) Nocturne et Allegro Scherzando
Louis GANNE (1862-1923) Andante et Scherzo

Many of the pieces in this anthology are morceaux de concours, pieces commissioned by the Paris Conservatory for the candidates who were preparing to pass the Prix that marked the end of higher musical studies. While the composer was free to write following his aesthetic preferences, there was only one condition imposed by the Conservatory: the piece had to be difficult! To deal minutely, in 5/6 minutes, with the key points of the transcendental technique of the instrument, from sonority to articulation, from speed to support, from changes of register to the intonation of the phrasing.
And so there was born and developed an entire literature that, besides the illustrious and little known, included names like Fauré, Enescu, Dutilleux, Jolivet and Messiaen. For many years, the classical structure of the morceau de concours was binary, alternating a first part which was lyrical and cantabile, generally in a minor key, with a pyrotechnical second part, in a major key, riddled with technical difficulties. Often, the titles of the pieces had the character of a diptych (Nocturneet Allegro scherzando, Andante pastoral et Scherzettino, Andante e scherzo…). Other times, the titles led to the formal structure of the piece (Fantaisie, Ballade…).
In choosing the pieces to record, I opted for some pieces of the very early twentieth century. I then decided to include also pieces which have nothing to do with the morceaux, in spite of the deceptive title (Caplet), or which are absolutely their source, not to mention Deus ex Machina (Debussy). [...]
At the same time, all the pieces recorded are very representative of the musical culture and the French art de vivre: sense of equilibrium, good taste, tendency towards concise clarity.
18.00 eur Temporarily out of stock

 
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