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ID: RK9902 CDs: 1 Type: CD |
Collection: Baroque World premiere recordings
Avenarius:
Phantasia ridiculosa
Intrada
Groh:
Ich bin die Auferstehung
Hammerschmidt:
Canzon a 3
Paduana
Courente
Das ist je gewißlich wahr
Hickmann:
O tempus amatum
Otto, S:
Er begehret mein
Seidel, S:
Wie lieblich sind auf den Bergen
Herr, wenn ich nur dich habe
Ich weiß, daß mein Erlöser lebet
Ich liege und schlafe Daniel Selichius
Herr, der du bist vormals
A solis ortus cardine |
18.00 eur Buy |
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ID: STR33853 CDs: 1 Type: CD |
Subcollection: Chamber Ensemble 1 Sonata No. 1, Op. 4, in D Major: I. Adagio 2:34
2 Sonata No. 1, Op. 4, in D Major: II. Allegro 4:58
3 Sonata No. 1, Op. 4, in D Major: III. Largo 3:06
4 Sonata No. 1, Op. 4, in D Major: IV. Allegro assai 2:29
5 Sonata No. 7, Op. 4, in A Major: I. Andante 2:03
6 Sonata No. 7, Op. 4, in A Major: II. Allegro 3:12
7 Sonata No. 7, Op. 4, in A Major: III. Moderato 3:00
8 Sonata No. 7, Op. 4, in A Major: IV. Allegro 2:31
9 Sonata No. 3, Op. 4, in C Major: I. Adagio 2:53
10 Sonata No. 3, Op. 4, in C Major: II. Allegro 4:25
11 Sonata No. 3, Op. 4, in C Major: III. Affettuoso 3:36
12 Sonata No. 3, Op. 4, in C Major: IV. Allegro 2:53
13 Sonata No. 6, Op. 4, in D Major: I. Adagio 2:47
14 Sonata No. 6, Op. 4, in D Major: II. Allegro 3:09
15 Sonata No. 6, Op. 4, in D Major: III. Andante 5:46
16 Sonata No. 6, Op. 4, in D Major: IV. Allegro 3:20
17 Sonata No. 10, Op. 4, in A Major: I. Andante 3:30
18 Sonata No. 10, Op. 4, in A Major: II. Allegro 2:16
19 Sonata No. 10, Op. 4, in A Major: III. Allegro 3:51
20 Sonata No. 12, Op. 4, in A Major: IV. Adagio, Presto, Adagio, Presto 1:58
21 Sonata No. 12, Op. 4, in A Major: II. Presto, Adagio 1:43
22 Sonata No. 12, Op. 4, in A Major: III. Presto 1:29 |
18.00 eur Temporarily out of stock |
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ID: KAI0012942 CDs: 1 Type: CD |
Collection: Chamber Music Subcollection: Chamber Ensemble Georges Aperghis was not the first well-known composer for musical theatre who neglected the less "spectacular" varieties of music. But unlike the "symphonic form," which Aperghis has rarely considered since his initial attempt in 1972, chamber music recurs throughout his oeuvre. As though staging a theatrical work, Aperghis plays his game in a chamber music hall with new instrumental combinations, creating a connection between the instruments and European musical tradition.
XASAX Ensemble de saxophones modulable: In 1992 the three French saxophonists Serge Bertocchi, Pierre-Stéphane Meugé, and Jean-Michel Goury joined with Marcus Weiss of Switzerland to form XASAX - Ensemble de saxophones modulable. Their experience with contemporary music as soloists and chamber musicians in ensembles like Klangforum Wien and ensemble recherche flowed into their development of a new repertoire for saxophone. XASAX pursues a variety of historical connections, establishes ties to seemingly alien trends, and thereby creates new terrain for this young instrument. |
21.00 eur Buy |
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ID: KAI0012012 CDs: 1 Type: CD |
Collection: Chamber Music Subcollection: Chamber Ensemble "'Beckett'...is a work for 23 players divided into five homophonic groups, each staying at or near its original pitch or pitches...The new disc has superlative sound: there is an inconspicuous crispness to Cambreling's Viennese band, but also a cushion-like warmth to the lower winds and strings, and a beautiful blend of timbres. This would be an excellent introduction to Feldman...Feldman acolytes will also need the disc. Indeed, no one should be caught without it." -Ashby, ARG |
21.00 eur Buy |
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ID: KAI0012132 CDs: 1 Type: CD |
Collection: Chamber Music Subcollection: Chamber Ensemble Both peculiar archaism and highest sensitivity characterize this quiet while extremely tense sound landscapes of the Sicilian composer Salvatore Sciarrino. (Hans-Peter Jahn)
Includes booklet with text by Hans-Peter Jahn |
21.00 eur Temporarily out of stock |
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ID: KAI0012252 CDs: 1 Type: CD |
Collection: Chamber Music Subcollection: Chamber Ensemble ... As only few other composers, Gérard Grisey was a master at working in these various "altidudes", one who skilfully zoomed back and forth between micro- and macro-time, or, in Grisey's beautiful imagery, between human time and the extended time of whales and the extremely compressed time of insects. and this disposal of time, of the hearing perspevtive - Grisey certainly knew it - affords the music a power that touches on the metaphysical just as the texts of "Quatre chants" do. "Fertilised with time, the music is afforded the power of the sacred of which Georges Bataille speaks; mute and silent forces that invoke and exorcise the sound and its emergence - perhaps and only for a moment. (Peter Niklas Wilson)
Includes booklet with text by Philippe Hurel and Peter Niklas Wilson |
21.00 eur Buy |
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ID: KAI0012202 CDs: 1 Type: CD |
Collection: Chamber Music Subcollection: Chamber Ensemble Lachenmann chose a text by Leonardo da Vinci:"...but when I had remained silent for a fairly long time, all at once two feelings awoke in me. Fear and desire. Fear of the cave's looming darkness, but the desire to see with my own eyes what marvels may lie within..." and there are many marvels to discover on this exceptional recording.
Includes booklet with texts by Helmut Lachenmann and Kurt Gerstenberg |
21.00 eur Buy |
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ID: KAI0013012 CDs: 1 Type: CD |
Collection: Chamber Music Subcollection: Piano Jesus Torres (born in Saragossa, 1965) is one of the key figures in a very talented generation of Spanish composers who have made a significant contribution to the further development of music in Europe. While they share neither a style nor an ideational background, they do share their point of departure: artistically speaking, they are all "grandchildren" of the great innovators of the post-war period; they came to music after the avant-garde had already gained a permanent, emphatic foothold at the academies - and begun their subsequent march into aesthetic isolation. In order to break free from this, Torres and his colleagues set off on highly individual and divergent musical paths that, viewed as a whole, still set a remarkable example. |
21.00 eur Buy |
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ID: KAI0012262 CDs: 1 Type: CD |
Subcollection: Chamber Ensemble Music to hear is characterised by the rhetoric of musical diction: an alternation of tension and relaxation, clearly defined metrics, main themes, the alternation of stressed and unstressed tempi, a comprehensibility of figures, and generally the use of figures at all... (Frank Gerhardt)
Includes booklet with texts by Frank Gerhardt and Jörn Peter Hiekel |
21.00 eur Buy |
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