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Orchestr, page 47

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Bach, Mozart - Violin concertos - Boris Gutnikov, violin / Lazar Gosman, Edward Serov - conductors

Bach, Mozart - Violin concertos - Boris Gutnikov, violin / Lazar Gosman, Edward Serov - conductors
ID: CDMAN158
Disk: 1
Type: CD
Podkolekce: Violin

Recorded by Petersburg Recording Studio, 1964 and 1979

1 - 9: Boris Gutnikov, violin
1 - 6: Mikhail Vaiman, violin / Leningrad Chamber Orchestra - Lazar Gosman, conductor
7 - 9: Old and Modern Music Orchestra - Edward Serov, conductor
18.00 eur Buy

Prokofiev - "Romeo and Juliet" / Tchaikovsky - Symphony No.5 - Evgeny Mravinsky

Prokofiev - "Romeo and Juliet" / Tchaikovsky - Symphony No.5 - Evgeny Mravinsky
ID: CDMAN160
Disk: 1
Type: CD
Kolekce: Ballet MusicPodkolekce: Orchestr

Recorded by Petersburg Recording Studio, 1982
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Russian capricco

Russian capricco
ID: CDMAN178
Disk: 1
Type: CD
Podkolekce: Klavír

Capriccio - is an Italian word, but it is easy to understand what it means. As practice shows, not only spoilt girls like to be capricious. Public in general get used to do it. And musicians are the best to soothe it. As a genre Capriccio came to Russia from Europe, exactly from Italy. But, in spite of its foreign birth Russian composers had assimilated it brilliantly. Today's public - in a way a «granddaughter» of the XIXth century indulges itself with an orchestra Capriccios by Glinka, Tchaikovsky, Rimsky-Korsakov, and Rubinstein. Russian classics were inspired by Italian and Spain themes, hence all compositions are penetrated with South spirit, and it could be seen in every bar and, even in the titles of capriccios. Only Rubinstein preferred a truly Russian capriccio, (that's its both title and essence) to Neapolitan's songs. This composition is outstanding, it is more lyric and vast scale, special Russian heartedness and temperament, as hot as Spanish, but closer to Russian mentality. As far as the form of capriccio is free (just as a feature of genre), sudden dramaturgic turns, rhythmic changes, condition changes and improvisation moments makes this music so powerful. Orchestral tutti and tender melodic parts shades each other and turn one ecstatic soul into a great delight. Burning, hot music of the South strikes fire from the strings, winds out from brass and wood bells, stuns with its brilliance and satisfies the most esthetic caprices of the most refine amateur of music.
18.00 eur Buy

Horizon 1: Premieres 2007 - Royal Concertgebouw Orchestra - M. Stenz and J. van Rijen, trombone

Horizon 1: Premieres 2007 - Royal Concertgebouw Orchestra - M. Stenz and J. van Rijen, trombone
ID: RCO8003
Disk: 1
Type: SACD
Kolekce: World Premiere RecordingPodkolekce: Orchestr

Recorded 18 January 2007 (Matthews), 21 and 22 June 2007 (Eggert); 18 and 19 September 2007 (Verbeij and Glanert) all at Concertgebouw Amsterdam

The Royal Concertgebouw Orchestra is famous throughout the world for its interpretations of works in the Classical symphonic repertoire. But, as with its legendary performances of the works of Mahler and Strauss at the beginning of the 20th-century, the orchestra is also open to new developments in contemporary music. Exploring new horizons and sound spaces, the orchestra continues to foster relationships with contemporary composers employing unconventional working methods. Compositions by Theo Verbey, Moritz Eggert, Colin Matthews and Detlev Glanert, the first three having been written specially for the RCO, attest to the orchestra's unrivalled sound inspire tour-de-force performances by the musicians.
A supporter and enthusiastic advocate of such orchestral exploits, conductor Markus Stenz leaves his own unmistakable stamp on these live recordings. Jörgen van Rijen was featured in One to Watch in Gramophone, May issue.A Borletti-Buitoni Trust Award winner, the Verbeij concerto was commisioned by the RCO for him, the youngest member when he joined as principal trombone in 1997.
18.00 eur Buy

Horizon 2 - Tribute to Messiaen by Royal Concergebouw Orchestra, Metzmacher and Benjamin

Horizon 2 - Tribute to Messiaen by Royal Concergebouw Orchestra, Metzmacher and Benjamin
ID: RCO9003
Disk: 1
Type: SACD
Kolekce: Orchestral WorksPodkolekce: Orchestr

Recorded live at Concertgebouw Amsterdam on 8, 9 November 2007 (Dukas/Van Keulen, Dalbavie, Messiaen, and 13, 14 June 2008 (Zuidam)

1 - 12: Royal Concertgebouw Orchestra, George Benjamin
13 - 15: Royal Concertgebouw Orchestra, Ingo Metzmacher


The Royal Concertgebouw Orchestra focused extensively on Messiaen in its 2007-8 season. A major musical figure of the 20th-century, Messiaen (1908-1992) created an entirely unique musical oeuvre in which such divergent elements as divinity, as it relates to Catholicism and other doctrines, ornithology and the synaesthetic perception of sound as colour are all interconnected with his innovative rhythmic and harmonic musical language and tonal organisation. As a thinker and teacher, Messiaen carried out groundbreaking work in music during the second half of the century, but his work as a composer has remained unsurpassed. During this special season, the Royal Concertgebouw Orchestra programmed works not only by Messiaen himself, but also compositions by his musical predecessors, students and disciples, including three premières of works commissioned by the RCO: Geert van Keulen's orchestration of Paul Dukas's La plainte, au loin, du faune…, Marc-André Dalbavie's La source d'un regard (The Source of a Look) and Robert Zuidam's Adam Interludes.
With this second release in the Horizon CD series, dedicated to contemporary repertoire, RCO Live has captured this resounding homage to Olivier Messiaen in superb five-channel stereo.
18.00 eur Buy

Mendelssohn - Violin Concerto in D minor

Mendelssohn - Violin Concerto in D minor
ID: SIGCD342
Disk: 1
Type: CD
Podkolekce: Orchestr

Concerto for Violin, Piano and String Orchestra
David Curtis
Huw Watkins
Orchestra Of The Swan
Tamsin Waley-Cohen

Felix Mendelssohn (1809-1847)
Violin Concerto in D minor
CONCERTO FOR VIOLIN, PIANO AND
STRING ORCHESTRA IN D MINOR
Violin Concerto in D minor
1. Allegro molto [9.12]
2. Andante [7.41]
3. Allegro [5.16]
Concerto for Violin, Piano and String Orchestra in D minor
4. Allegro [18.55]
5. Adagio [9.00]
6. Allegro molto [9.41]
Total timings: [59.42]
TAMSIN WALEY-COHEN VIOLIN
HUW WATKINS PIANO
ORCHESTRA OF THE SWAN
DAVID CURTIS CONDUCTOR

Outstanding British-violinist Tamsin-Waley Cohen - described by the late Ruggiero Ricci following a masterclass as "the most exceptionally gifted young violinist I have ever encountered" - performs a fittingly prodigious work by Felix Mendelssohn.

The Violin Concerto in D minor was composed when Mendelssohn was just 13, and has remained popular with audiences the world over since its rediscovery in the middle of the 20th century by Yehudi Menuhin. The work is paired on this disc with Mendelssohn's Concerto for Violin & Piano, where Waley-Cohen is joined by British pianist Huw Watkins, all alongside the enthusiastic accompaniment of the Orchestra of the Swan under David Curtis.
18.00 eur Temporarily out of stock

Les Caracteres de la Danse

Les Caracteres de la Danse
ID: RK2704
Disk: 1
Type: CD
Podkolekce: Oboe

The young musicians of the Harmony of Nations Baroque Orchestra come from fourteen countries. The highlight of this CD is undoubtedly the well-known Oboe Concerto by Tomaso Albinoni, wonderfully played by Baroque oboist Alfredo Bernardini. The youthful freshness and the enthusiasm that the young musicians bring to this recording make this a thrilling musical experience.
18.00 eur Buy

Meder - Oratorio Passion according to St. Matthew

Meder - Oratorio Passion according to St. Matthew
ID: RK2506
Disk: 1
Type: CD
Podkolekce: Orchestr

Anfang des 17. Jahrhunderts wurde die deutsche Passionsmusik stark vom italienischen Oratorium beeinflusst, vor allem durch Heinrich Schütz gelangte der italienische Stil nach Deutschland. Unter den Musikern, die diese Tradition bis zu Bach weiterleiteten, befand sich der Sänger, Organist und Komponist Johann Valentin Meder. Seine Matthäuspassion entstand höchstwahrscheinlich 1701 in Riga.
Meders Werk spricht durch seine Klarheit und seinen zugänglichen Stil an. Die gefühlsbetonten Melodien und Texte stammen teilweise aus bekannten Chorälen der damaligen Passionszeit, Michael Alexander Willens besetzte die Vokalpartien entsprechend der damaligen Praxis mit fünf Sängern, die teilweise als Solisten, teilweise als Chor agieren. Obwohl das vorgeschriebene Ensemble nur wenige Instrumente umfasst (zwei Oboen im Wechsel mit zwei Blockflöten, Violinen und Basso continuo), entlockt ihm Willens gemeinsam mit der Kölner Akademie einen bemerkenswerten Farb- und Kontrastreichtum, der bereits im Mederschen Werk angelegt ist.

Nicki Kennedy: Sopran
Hannah Morrison: Sopran
Dorothee Merkel: Alt
Gerd Türk: Tenor
Christian Hilz: Bass
18.00 eur Buy

Telemann. Handel. Keiser - Music Of Hamburg's Moneybags

Telemann. Handel. Keiser - Music Of Hamburg's Moneybags
ID: RK2703
Disk: 1
Type: CD
Podkolekce: Orchestr

Musik der Hamburger Pfeffersäcke, The term "Pfeffersäcke" was a derogatory name for the spice merchants who provided the financial support for the arts in Hamburg. The compositions on this CD are all known to have been sponsored by the Hamburg merchants. Soprano Yeree Suh joins the Elbipolis Baroque Orchestra Hamburg in these lively and dedicated performances.
18.00 eur Buy

D. Buxtehude - Membra Jesu Nostri (BuxWV 75)

D. Buxtehude - Membra Jesu Nostri (BuxWV 75)
ID: RK2403
Disk: 1
Type: CD
Kolekce: Sacred MusicPodkolekce: Orchestr

Dietrich Buxtehudes Kantatenzyklus Membra Jesu Nostri (BuxWV 75) ist eines der außerordentlichsten Musikwerke des 17. Jahrhunderts. Anhand einer mittelalterlichen mystischen Textvorlage entwickelte der Lübecker Organist eine siebenteilige Passionsmeditation, die sich deutlich von der protestantischen Tradition der Betrachtung der Passion Christi abhebt. Jesu Membra Nostri ist eine Sammlung lateinischer Hymnen, die sich jeweils an ein Körperteil des am Kreuz hängenden Christus wenden, indem sie es stets mit einem Salve (gegrüßet) anreden. Ursprünglich wurden nur die fünf biblisch überlieferten Wunden angesprochen - Füße, Knie, Hände, Seit und das Antlitz - , später wurde die Sammlung um die separat entstandenen Strophen an die Brust und das Herz erweitert.

In der Einspielung der Lautten Compagney und der Capella Angelica ist der Kantatenzyklus umrahmt von Buxtehudes geistlichen Konzerten Herr, wenn ich nur dich hab (BuxWV 38) und Jesu, meines Lebens Leben (BuxWV 62), die ganz der verinnerlichten Geisteshaltung der „Membra Jesu Nostri“ entsprechen.
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