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Roger Marsh - Pierrot Lunaire (50 Rondels Bergamasques)

 
Roger Marsh - Pierrot Lunaire (50 Rondels Bergamasques)-Voices and Chamber Ensemble-Vocal Collection
ID: NMCD127 (EAN: 5023363012720)  | 2 CD | DDD
Ausgefolgt: 2007
LABEL:
NMC
Kolektion:
Vocal Collection
Subkolektion:
Voices and Chamber Ensemble
Komponisten:
MARSH, Roger
Interpreten:
COLLINS, Matthew (organ / piano) | FRIMAN, Anna Maria (soprano) | GREEN, Simon (piano) | HIRST, Linda (mezzo-soprano) | LONG, Matthew (tenor) | MARSH, Joe (narrator) | MASON, Christian (violin) | MATSUDA, Junko (piano) | MORSE, Naomi (violin) | MYATT, Anna (soprano) | O’GORMAN, Chris (tenor) | SHARHYAR, Omar (beatbox) | SHEPHERD, Alex (piano) | SMEDLEY, Tim (cello) | WISTREICH, Richard (bass)
Ensembles:
Ebor Singers | Juice Trio | Red Byrd
Dirigenten:
GAMESON, Paul
Andere Infos:

Roger Marsh, long fascinated by the poems which Schoenberg set for his Pierrot Lunaire, has completed a setting of Albert Giraud’s brilliant and allusive original texts, ignored by Schoenberg commentators over the years.
Marsh’s settings use both the original French and a new English translation specially commissioned from Kay Bourlier - sometimes simultaneously - and feature solo voice, choirs, a human beatbox and a narrator in the role of the poet himself. This recording, supervised by the composer, features The Hilliard Ensemble and Red Byrd, together with vocal trio Juice, the Ebor Singers and vocalist Linda Hirst, whose work has ranged from early music with John Eliot Gardiner to contemporary performance with Electric Phoenix.
Tracklist
 

CD 1
MARSH, Roger b. 1949 
1. Part One- 1 Théâtre (Hilliard Ensemble/ Joe Marsh, narrator )1:51 
2. Part One- 2 Décor (Ebor Singers/ P. Gameson, conductor / J. Marsh, narrator )1:21 
3. Part One- 3 Pierrot Dandy (Red Byrd/ Juice / J. Marsh, narrator)1:29 
4. Part One- 4 Déconvenue (Ebor Singers/ P. Gameson, conductor / J. Marsh, narrator)1:26 
5. Part One- 5 Lune au lavoir (A. M. Friman, soprano/ J. Potter, tenor / J. Marsh, narrator)2:43 
6. Part One- 6 La Serenade de Pierrot (R. Wistreich, bass/ Juice/ J. Marsh, narrator)1:17 
7. Part One-7 Cuisine lyrique (Ebor Singers/ P. Gameson, conductor/ J. Marsh, narrator)1:46 
8. Part One-8 Arlequinade (Juice/ Omar Sharhyar, beatbox/ J. Marsh, narrator)1:52 
9. Part One- 9 Pierrot polaire (Hilliard Ensemble/ J. Marsh, narrator)2:52 
10. Part One- 10 A Colombine (Red Byrd/ Joe Marsh, narrator)1:59 
11. Part One- 11 Arlequin (Red Byrd/ Joe Marsh, narrator )1:22 
12. Part One- 12 Les nuages (Ebor Singers/ Paul Gameson, conductor/ Joe Marsh, narrator 
13. Part One- 13 A mon cousin de Bergame (Hilliard Ensemble/ Joe Marsh, narrator 
14. Part One- 14 Pierrot Voleur (Red Byrd/ Joe Marsh, narrator )1:26 
15. Part One- 15 Spleen (Juice/ Joe Marsh, narrator)3:19 
16. Part One- 16 Ivresse de lune (Red Byrd/ Joe Marsh, narrator) 
17. Part One- 17 Chanson de la potence (Red Byrd/ J. Marsh, narrator)1:36 
18. Part One- 18 Suicide (Linda Hirst, mezzo-soprano/ J. Marsh, narrator )2:35 
19. Part One- 19 Papillons noirs (Ebor Singers/ P. Gameson, conductor/ J. Marsh, narrator)2:50 
20. Part One- 20 Coucher de soleil (Juice/ Joe Marsh, narrator)0:55 
21. Part One- 21 Lune malade (Ebor Singers/ P. Gameson, conductor/ J. Marsh, narrator)8:32 
22. Part One- 22 Absinthe (Ebor Singers/ P. Gameson, conductor/ J. Marsh, narrator)2:14 

CD 2
1. Part Two- 1 Mendiante de tetes (Ebor Singers/ P. Gameson, conductor/ J. Marsh, narrator)1:34 
2. Part Two- 2 Décollation (Juice/ Naomi Morse, violin/ Tim Smedley, cello/ J. Marsh, narrator)3:11 
3. Part Two- 3 Rouge et blanc (Juice/ Ebor Singers/ Paul Gameson, conductor/ Joe Marsh, narrator)1:43 
4. Part Two- 4 Valse de Chopin (Matthew Collins, Junko Matsuda, Simon Green, Alex Shepherd - piano/ Joe Marsh, narrator) 
5. Part Two- 5 L'église (Juice/ Matthew Collins, organ/ J. Marsh, narrator)3:38 
6. Part Two- 6 Evocation (M. Long, tenor/ Ebor Singers/ P. Gameson, conductor/ J. Marsh, narrator)2:26 
7. Part Two- 7 Messe rouge (Ebor Singers/ Matthew Collins, organ/ P. Gameson, conductor/ J. Marsh, narrator)2:13 
8. Part Two- 8 Les croix (M. Long, Ch. O'Gorman - tenor/ Ebor Singers/ P.Gameson, conductor/ J. Marsh, narrator)2:18 
9. Part Two- 9 Supplique (Linda Hirst, mezzo-soprano/ J. Marsh, narrator)1:57 
10. Part Two- 10 Violon de lune (Juice/ Christian Mason, violin/ J. Marsh, narrator)2:46 
11. Part Two- 11 Les cigognes (Ebor Singers/ P. Gameson, conductor/ J.Marsh, narrator)1:48 
12. Part Two- 12 Nostalgie (Ebor Singers/ P. Gameson, conductor/ J. Marsh, narrator)1:51 
13. Part Two- 13 Parfums de Bergame (M. Long, tenor/ Ebor Singers/ P. Gameson, conductor/ J.Marsh, narrator)1:18 
14. Part Two- 14 Départ de Pierrot (Ebor Singers/ P. Gameson, conductor/ J. Marsh, narrator)2:32 
15. Part Two- 15 Pantomime (Red Byrd/ Juice/ A. Myatt, soprano/ J. Marsh, narrator)1:17 
16. Part Two- 16 Brosseur de Lune(Red Byrd/ Juice / J. Marsh, narrator)1:47 
17. Part Two- 17 L'alphabet (Juice/ O. Sharhyar, beatbox/ Ebor Singers/ P.Gameson, conductor/ J. Marsh, narrator)1:55 
18. Part Two- 18 Blancheurs sacrées (Red Byrd/ J. Marsh, narrator)2:01 
19. Part Two- 19 Poussiere rose (Ebor Singers/ P. Gameson, conductor/ J. Marsh, narrator)1:22 
20. Part Two- 20 Parodie (Red Byrd/ Juice/ A. Myatt, soprano/ J. Marsh, narrator)1:21 
21. Part Two- 21 Lune moqueuse (Red Byrd / A. M. Friman, soprano/ J. Marsh, narrator)1:18 
22. Part Two- 22 La Lanterne (Helena Daffern, solo/ Ebor Singers/ P. Gameson, conductor/ J. Marsh, narrator )1:24 
23. Part Two- 23 Pierrot cruel (Red Byrd/ Juice/ A. Myatt, soprano/ J. Marsh, narrator)1:39 
24. Part Two- 24 Décor (Ebor Singers/ P. Gameson, conductor/ J. Marsh, narrator)2:02 
25. Part Two- 25 Le miroir (Red Byrd/ Juice/ J. Marsh, narrator)1:25 
26. Part Two- 26 Souper sur l'eau (Ebor Singers/ P. Gameson, conductor/ J. Marsh, narrator)3:51 
27. Part Two- 27 L'escalier (Ebor Singers/ P. Gameson, conductor/ J. Marsh, narrator)1:56 
28. Part Two- 28 Cristal de Boheme (Ebor Singers/ P. Gameson, conductor/ J. Marsh, narrator)2:14 

Begutachtung:
 

Reviewed in Gramophone: “The work is supremely approachable, with expressive, often simple harmonies offset by catchy rhythms, touching on popular styles in ways which echo Messiaen and Berio"
"The sequence is wonderfully varied... Perspectives constantly change; it's diverting and surprising, worlds away from Schoenberg's overpowering work yet still mysteriously close to the essence of Giraud's unique imagination."


 

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